YouTrained

Artist UCDH5zZdYHcbIIRHiRM9O3Cg on YouTube Music

Yes. UCDH5zZdYHcbIIRHiRM9O3Cg has 6 songs listed in a dataset used to train AI music models.

Used for training 6

songs in LAION-DISCO-12M under the artist name

A list of 12 million songs on YouTube Music, gathered by walking artist pages, that LAION published in 2024 for training general music models.

Including Let us now praise famous men, Op. 35, Lo, the Full, Final Sacrifice, Op. 26, Magnificat, Op. 36

Listed under the artist name 6 songs in LAION-DISCO-12M

Matched exactly: this YouTube Music artist id is the one the dataset lists these songs under.

Let us now praise famous men, Op. 35

Listed as Choir of St. John's College, Cambridge, Christopher Whitton – Let us now praise famous men, Op. 35 (Finzi: Lo, the Full, Final Sacrifice / Magnificat / Unaccompanied Partsongs, Op. 17) · Watch on YouTube

youtube_video 04U0e8DrNQY · row 04U0e8DrNQY

LAION-DISCO-12M

Lo, the Full, Final Sacrifice, Op. 26

Listed as Choir of St. John's College, Cambridge, Christopher Whitton – Lo, the Full, Final Sacrifice, Op. 26 (Finzi: Lo, the Full, Final Sacrifice / Magnificat / Unaccompanied Partsongs, Op. 17) · Watch on YouTube

youtube_video 2d1zh5uv_-Q · row 2d1zh5uv_-Q

LAION-DISCO-12M

Magnificat, Op. 36

Listed as Choir of St. John's College, Cambridge, Christopher Whitton – Magnificat, Op. 36 (Finzi: Lo, the Full, Final Sacrifice / Magnificat / Unaccompanied Partsongs, Op. 17) · Watch on YouTube

youtube_video PZgakzHaABc · row PZgakzHaABc

LAION-DISCO-12M

3 Anthems, Op. 27 *: 3 Anthems, Op. 27: No. 3. Welcome sweet and sacred feast

Listed as Choir of St. John's College, Cambridge, Christopher Whitton – 3 Anthems, Op. 27 *: 3 Anthems, Op. 27: No. 3. Welcome sweet and sacred feast (Finzi: Lo, the Full, Final Sacrifice / Magnificat / Unaccompanied Partsongs, Op. 17) · Watch on YouTube

youtube_video TEEcVy5g1x4 · row TEEcVy5g1x4

LAION-DISCO-12M

3 Anthems, Op. 27 *: 3 Anthems, Op. 27: No. 2. God is gone up

Listed as Choir of St. John's College, Cambridge, Christopher Whitton – 3 Anthems, Op. 27 *: 3 Anthems, Op. 27: No. 2. God is gone up (Finzi: Lo, the Full, Final Sacrifice / Magnificat / Unaccompanied Partsongs, Op. 17) · Watch on YouTube

youtube_video _Sxc86bm3a8 · row _Sxc86bm3a8

LAION-DISCO-12M

3 Anthems, Op. 27 *: 3 Anthems, Op. 27: No. 1. My lovely one

Listed as Choir of St. John's College, Cambridge, Christopher Whitton – 3 Anthems, Op. 27 *: 3 Anthems, Op. 27: No. 1. My lovely one (Finzi: Lo, the Full, Final Sacrifice / Magnificat / Unaccompanied Partsongs, Op. 17) · Watch on YouTube

youtube_video q0QKZ218jhc · row q0QKZ218jhc

LAION-DISCO-12M

What this means

Last reviewed 2026-09-24.

Presence in a public research dataset shows that a clip of your recording was listed by academic or industry researchers as material for building or testing audio models. It does not by itself show which commercial products, if any, used the clip. The legal picture is moving. On 31 July 2026 the Regional Court of Munich I ruled in GEMA's case against Suno (case 42 O 763/25) that reproducing works for training, holding them in a model in retrievable form, and generating similar outputs can each infringe copyright under German and EU law; the judgment is not final and can be appealed. In the United States, Warner Music Group settled its claims against Suno on 25 November 2025 with a licensing deal, while the parallel claims by Universal and Sony were still pending at that point. Since then BMG (12 August 2026) and Believe/TuneCore (8 September 2026) have signed opt-in licensing deals with Suno.

What you can do

3 routes. None is a guarantee.

Is this you?

Check another name

These pages report where identifiers from public research datasets point. Presence in a dataset is a fact about the dataset, not a claim about the channel or artist, and says nothing about what any company did with the material. If you are this artist and want this page removed, see removals.