YouTrained

Artist Birmingham Contemporary Music Group on YouTube Music

Yes. Birmingham Contemporary Music Group has 7 songs listed in a dataset used to train AI music models.

Used for training 7

songs in LAION-DISCO-12M under the artist name

A list of 12 million songs on YouTube Music, gathered by walking artist pages, that LAION published in 2024 for training general music models.

Including The Importance of Being Earnest, Act III: Lady Bracknell, The Deluge, Op. 7, Scene 3: Huge Branches, Violin Concerto, Op. 30: II. Aria (Live)

Listed under the artist name 7 songs in LAION-DISCO-12M

Matched exactly: this YouTube Music artist id is the one the dataset lists these songs under.

The Importance of Being Earnest, Act III: Lady Bracknell

Listed as Hilary Summers, Birmingham Contemporary Music Group, Thomas Adès – The Importance of Being Earnest, Act III: Lady Bracknell (Gerald Barry: The Importance of Being Earnest (Live)) · Watch on YouTube

youtube_video D7ntgJzO9zU · row D7ntgJzO9zU

LAION-DISCO-12M

The Deluge, Op. 7, Scene 3: Huge Branches

Listed as Claire Booth, Hilary Summers, Birmingham Contemporary Music Group, Oliver Knussen – The Deluge, Op. 7, Scene 3: Huge Branches (Goehr: Colossos or Panic, The Deluge & Little Symphony) · Watch on YouTube

youtube_video GGmTpZTvPVA · row GGmTpZTvPVA

LAION-DISCO-12M

Violin Concerto, Op. 30: II. Aria (Live)

Listed as Leila Josefowicz, Birmingham Contemporary Music Group, Oliver Knussen – Violin Concerto, Op. 30: II. Aria (Live) (Oliver Knussen: Autumnal) · Watch on YouTube

youtube_video PPIEAgcmyPA · row PPIEAgcmyPA

LAION-DISCO-12M

The Deluge, Op. 7: Scene 2, —

Listed as Claire Booth, Hilary Summers, Birmingham Contemporary Music Group, Oliver Knussen – The Deluge, Op. 7: Scene 2, — (Goehr: Colossos or Panic, The Deluge & Little Symphony) · Watch on YouTube

youtube_video VnH2dHOUiA8 · row VnH2dHOUiA8

LAION-DISCO-12M

Violin Concerto, Op. 30: III. Gigue (Live)

Listed as Leila Josefowicz, Birmingham Contemporary Music Group, Oliver Knussen – Violin Concerto, Op. 30: III. Gigue (Live) (Oliver Knussen: Autumnal) · Watch on YouTube

youtube_video ZLR0Y31tsdk · row ZLR0Y31tsdk

LAION-DISCO-12M

The Deluge, Op. 7: Scene 1, —

Listed as Claire Booth, Hilary Summers, Birmingham Contemporary Music Group, Oliver Knussen – The Deluge, Op. 7: Scene 1, — (Goehr: Colossos or Panic, The Deluge & Little Symphony) · Watch on YouTube

youtube_video qlv1iur-KWw · row qlv1iur-KWw

LAION-DISCO-12M

Violin Concerto, Op. 30: I. Recitative (Live)

Listed as Leila Josefowicz, Birmingham Contemporary Music Group, Oliver Knussen – Violin Concerto, Op. 30: I. Recitative (Live) (Oliver Knussen: Autumnal) · Watch on YouTube

youtube_video t0fDWe81N7g · row t0fDWe81N7g

LAION-DISCO-12M

What this means

Last reviewed 2026-09-24.

Presence in a public research dataset shows that a clip of your recording was listed by academic or industry researchers as material for building or testing audio models. It does not by itself show which commercial products, if any, used the clip. The legal picture is moving. On 31 July 2026 the Regional Court of Munich I ruled in GEMA's case against Suno (case 42 O 763/25) that reproducing works for training, holding them in a model in retrievable form, and generating similar outputs can each infringe copyright under German and EU law; the judgment is not final and can be appealed. In the United States, Warner Music Group settled its claims against Suno on 25 November 2025 with a licensing deal, while the parallel claims by Universal and Sony were still pending at that point. Since then BMG (12 August 2026) and Believe/TuneCore (8 September 2026) have signed opt-in licensing deals with Suno.

What you can do

3 routes. None is a guarantee.

Is this you?

Check another name

These pages report where identifiers from public research datasets point. Presence in a dataset is a fact about the dataset, not a claim about the channel or artist, and says nothing about what any company did with the material. If you are this artist and want this page removed, see removals.