Artist Thomas Dolié on YouTube Music
songs in LAION-DISCO-12M under the artist name
A list of 12 million songs on YouTube Music, gathered by walking artist pages, that LAION published in 2024 for training general music models.
Including Acte II. Air et choeur : Que ce rivage retentisse..., L'Heure espagnole, M. 52, Scene 1: Señor Torquemada, horloger de Tolède ?(Ramiro, Torquemada), L'Heure espagnole, M. 52, Scene 10: Voilà ce que j'appelle une femme charmante (Ramiro)
Matched exactly: this YouTube Music artist id is the one the dataset lists these songs under.
Listed as Thomas Dolié, Purcell Choir, Orfeo Orchestra, György Vashegyi – Acte II. Air et choeur : Que ce rivage retentisse... (Polydore) · Watch on YouTube
youtube_video BsAI3FV9dnU · row BsAI3FV9dnU
LAION-DISCO-12M
Listed as Thomas Dolié, Loïc Félix, François-Xavier Roth, Les Siècles – L'Heure espagnole, M. 52, Scene 1: Señor Torquemada, horloger de Tolède ?(Ramiro, Torquemada) (Ravel: L'Heure espagnole - Bolero) · Watch on YouTube
youtube_video UNpcGzvpZmE · row UNpcGzvpZmE
LAION-DISCO-12M
Listed as Thomas Dolié, François-Xavier Roth, Les Siècles – L'Heure espagnole, M. 52, Scene 10: Voilà ce que j'appelle une femme charmante (Ramiro) (Ravel: L'Heure espagnole - Bolero) · Watch on YouTube
youtube_video Vo8qafMeXmk · row Vo8qafMeXmk
LAION-DISCO-12M
Listed as Orfeo Orchestra, Thomas Dolié – Issé: Dieux! Quel succès! le monstre perd la vie! (Un opéra pour trois rois) · Watch on YouTube
youtube_video dwCGmBdGV-0 · row dwCGmBdGV-0
LAION-DISCO-12M
Listed as Thomas Dolié, Emőke Baráth, Chantal Santon-Jeffery – Les stratagèmes de l'Amour: Que ces rois chéris des mortels (Un opéra pour trois rois) · Watch on YouTube
youtube_video gP9BW3-3tv8 · row gP9BW3-3tv8
LAION-DISCO-12M
Listed as Thomas Dolié, Emőke Baráth, Chantal Santon-Jeffery – Les Indes galantes: Forêts paisibles (Un opéra pour trois rois) · Watch on YouTube
youtube_video ss36egf40-c · row ss36egf40-c
LAION-DISCO-12M
Last reviewed 2026-09-24.
Presence in a public research dataset shows that a clip of your recording was listed by academic or industry researchers as material for building or testing audio models. It does not by itself show which commercial products, if any, used the clip. The legal picture is moving. On 31 July 2026 the Regional Court of Munich I ruled in GEMA's case against Suno (case 42 O 763/25) that reproducing works for training, holding them in a model in retrievable form, and generating similar outputs can each infringe copyright under German and EU law; the judgment is not final and can be appealed. In the United States, Warner Music Group settled its claims against Suno on 25 November 2025 with a licensing deal, while the parallel claims by Universal and Sony were still pending at that point. Since then BMG (12 August 2026) and Believe/TuneCore (8 September 2026) have signed opt-in licensing deals with Suno.
3 routes. None is a guarantee.
These pages report where identifiers from public research datasets point. Presence in a dataset is a fact about the dataset, not a claim about the channel or artist, and says nothing about what any company did with the material. If you are this artist and want this page removed, see removals.