Report CrossfaithOfficial built from the datasets alone
This page only knows about the videos the datasets list. To check every upload on the channel:
videos in AudioSet
A list of about a million ten-second YouTube clips, each labelled with the sounds in it, that Google published in 2017. Labs use it to train and test general audio and music models.
Including Crossfaith - "Jägerbomb" Official Music Video, Crossfaith - 'Madness' Official Music Video Trailer Pt.2 (SLOTH), Crossfaith - 'Madness' Official Music Video Trailer Pt.4 (LUST)
video in MusicCaps
A set of 5,521 ten-second music clips from YouTube, each with a written description, that Google published in 2023. It is the standard test set for text-to-music models.
Including Crossfaith - "Jägerbomb" Official Music Video
Clip 30s to 40s · Open clip on YouTube · Labels: Blues, Music, Rhythm and blues, Dance music, Exciting music
youtube_video BT4env-Tw2o · row eval:BT4env-Tw2o:30:40
AudioSeteval
Clip 18s to 28s · Open clip on YouTube · Labels: Music, Rhythm and blues
youtube_video 8mMOho8lOUE · row unbalanced_train:8mMOho8lOUE:18:28
AudioSetunbalanced_train
Clip 19s to 29s · Open clip on YouTube · Labels: Music
youtube_video Wt2LCPY7Hvc · row unbalanced_train:Wt2LCPY7Hvc:19:29
AudioSetunbalanced_train
“This song has a bassline that repeats itself playing along with a distorted guitar that supports the melody by playing the low notes along with slight variations and licks. The acoustic drums sound in the background but are played at full force. Fast paced with a lot of hits on different crashes and using a double bass kick. The male voice is screaming full force then a synthesizer lead sound is playing a simple melody that is panned to the right side of the speakers. This song may be playing at a live-concert jumping up and down enjoying the energetic energy of the surrounding and the music.”
Clip 30s to 40s · Open clip on YouTube
youtube_video BT4env-Tw2o · row BT4env-Tw2o:30:40
MusicCaps
Last reviewed 2026-09-24.
Presence in a public research dataset shows that a clip of your recording was listed by academic or industry researchers as material for building or testing audio models. It does not by itself show which commercial products, if any, used the clip. The legal picture is moving. On 31 July 2026 the Regional Court of Munich I ruled in GEMA's case against Suno (case 42 O 763/25) that reproducing works for training, holding them in a model in retrievable form, and generating similar outputs can each infringe copyright under German and EU law; the judgment is not final and can be appealed. In the United States, Warner Music Group settled its claims against Suno on 25 November 2025 with a licensing deal, while the parallel claims by Universal and Sony were still pending at that point. Since then BMG (12 August 2026) and Believe/TuneCore (8 September 2026) have signed opt-in licensing deals with Suno.
3 routes. None is a guarantee.
JSON export SHA-256 64a1daca282d1ee9feda270d6891dce251c2b5fcf16fb21c45ef5057aa7a9e0d
| Dataset | File | Rows | Loaded | SHA-256 |
|---|---|---|---|---|
| audioset | balanced_train_segments.csv | 8,836 | 2026-09-24T10:30:36+00:00 | 3b83e5ff9ed72cfd… |
| audioset | eval_segments.csv | 7,848 | 2026-09-24T10:30:36+00:00 | f7055f53935f70e7… |
| audioset | unbalanced_train_segments.csv | 1,063,333 | 2026-09-24T10:30:43+00:00 | bb2dfd5e4f1ced39… |
| laion_disco_12m | train-00000-of-00005.parquet | 2,464,184 | 2026-09-24T12:18:19+00:00 | f8b1f0034f8f1e94… |
| laion_disco_12m | train-00001-of-00005.parquet | 2,464,183 | 2026-09-24T12:32:29+00:00 | 71d78ad14ee3f85d… |
| laion_disco_12m | train-00002-of-00005.parquet | 2,464,183 | 2026-09-24T12:49:06+00:00 | 0feba570a0e8e73c… |
| laion_disco_12m | train-00003-of-00005.parquet | 2,464,183 | 2026-09-24T13:06:37+00:00 | 21a77d99fd85ad2f… |
| laion_disco_12m | train-00004-of-00005.parquet | 2,464,183 | 2026-09-24T13:24:36+00:00 | 6ac5f59958b6b813… |
| musiccaps | musiccaps-public.csv | 5,521 | 2026-09-24T10:29:42+00:00 | 8cc109ac507b5e5a… |
These pages report where identifiers from public research datasets point. Presence in a dataset is a fact about the dataset, not a claim about the channel or artist, and says nothing about what any company did with the material. This report is informational and is not legal advice. It shows that identifiers matching your work are present in the named public research datasets; it does not establish how any particular company used them. If you are the subject of this page and want it removed, see removals.