video in AudioSet
A list of about a million ten-second YouTube clips, each labelled with the sounds in it, that Google published in 2017. Labs use it to train and test general audio and music models.
Including The Many Faces Of SpongeBob!
Report David Cohen built from the datasets alone
This page only knows about the videos the datasets list. To check every upload on the channel:
video in AudioSet
A list of about a million ten-second YouTube clips, each labelled with the sounds in it, that Google published in 2017. Labs use it to train and test general audio and music models.
Including The Many Faces Of SpongeBob!
songs in LAION-DISCO-12M under the artist name
A list of 12 million songs on YouTube Music, gathered by walking artist pages, that LAION published in 2024 for training general music models.
Including Quatuor pour la fin du Temps: I. Liturgie de cristal, Quatuor pour la fin du Temps: IV. Intermède, Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui announce la fin du Temps
Probable match by artist name. If this is not you, ignore this section. Artist page on YouTube Music.
Listed as Olivier Messiaen, Matthew Schellhorn, James Clark, David Cohen – Quatuor pour la fin du Temps: I. Liturgie de cristal (Messiaen: Chamber Works) · Watch on YouTube
youtube_video FVojbUao2ww · row FVojbUao2ww
LAION-DISCO-12M
Listed as Olivier Messiaen, Matthew Schellhorn, James Clark, David Cohen – Quatuor pour la fin du Temps: IV. Intermède (Messiaen: Chamber Works) · Watch on YouTube
youtube_video Ia7sxmsjq7k · row Ia7sxmsjq7k
LAION-DISCO-12M
Listed as Olivier Messiaen, Matthew Schellhorn, James Clark, David Cohen – Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui announce la fin du Temps (Messiaen: Chamber Works) · Watch on YouTube
youtube_video Pur1ah8Oo14 · row Pur1ah8Oo14
LAION-DISCO-12M
Listed as Olivier Messiaen, Matthew Schellhorn, James Clark, David Cohen – Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui announce la fin du Temps (Messiaen: Chamber Works) · Watch on YouTube
youtube_video XOG--EP4JDw · row XOG--EP4JDw
LAION-DISCO-12M
Listed as Olivier Messiaen, Matthew Schellhorn, James Clark, David Cohen – Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes (Messiaen: Chamber Works) · Watch on YouTube
youtube_video csugaLRPdZM · row csugaLRPdZM
LAION-DISCO-12M
Listed as Olivier Messiaen, Matthew Schellhorn, David Cohen – Quatuor pour la fin du Temps: V. Louange à L'Éternite de Jésus (Messiaen: Chamber Works) · Watch on YouTube
youtube_video fbijWH_NB60 · row fbijWH_NB60
LAION-DISCO-12M
Clip 90s to 100s · Open clip on YouTube · Labels: Video game music, Background music, Theme music, Music
youtube_video -GHouPupJU0 · row unbalanced_train:-GHouPupJU0:90:100
AudioSetunbalanced_train
Last reviewed 2026-09-24.
Presence in a public research dataset shows that a clip of your recording was listed by academic or industry researchers as material for building or testing audio models. It does not by itself show which commercial products, if any, used the clip. The legal picture is moving. On 31 July 2026 the Regional Court of Munich I ruled in GEMA's case against Suno (case 42 O 763/25) that reproducing works for training, holding them in a model in retrievable form, and generating similar outputs can each infringe copyright under German and EU law; the judgment is not final and can be appealed. In the United States, Warner Music Group settled its claims against Suno on 25 November 2025 with a licensing deal, while the parallel claims by Universal and Sony were still pending at that point. Since then BMG (12 August 2026) and Believe/TuneCore (8 September 2026) have signed opt-in licensing deals with Suno.
3 routes. None is a guarantee.
JSON export SHA-256 e195e7e205705f40dda1d24c5be76a9e589f3ee34f6e41fd2fd3b71f16b39c71
| Dataset | File | Rows | Loaded | SHA-256 |
|---|---|---|---|---|
| audioset | balanced_train_segments.csv | 8,836 | 2026-09-24T10:30:36+00:00 | 3b83e5ff9ed72cfd… |
| audioset | eval_segments.csv | 7,848 | 2026-09-24T10:30:36+00:00 | f7055f53935f70e7… |
| audioset | unbalanced_train_segments.csv | 1,063,333 | 2026-09-24T10:30:43+00:00 | bb2dfd5e4f1ced39… |
| laion_disco_12m | train-00000-of-00005.parquet | 2,464,184 | 2026-09-24T12:18:19+00:00 | f8b1f0034f8f1e94… |
| laion_disco_12m | train-00001-of-00005.parquet | 2,464,183 | 2026-09-24T12:32:29+00:00 | 71d78ad14ee3f85d… |
| laion_disco_12m | train-00002-of-00005.parquet | 2,464,183 | 2026-09-24T12:49:06+00:00 | 0feba570a0e8e73c… |
| laion_disco_12m | train-00003-of-00005.parquet | 2,464,183 | 2026-09-24T13:06:37+00:00 | 21a77d99fd85ad2f… |
| laion_disco_12m | train-00004-of-00005.parquet | 2,464,183 | 2026-09-24T13:24:36+00:00 | 6ac5f59958b6b813… |
| musiccaps | musiccaps-public.csv | 5,521 | 2026-09-24T10:29:42+00:00 | 8cc109ac507b5e5a… |
These pages report where identifiers from public research datasets point. Presence in a dataset is a fact about the dataset, not a claim about the channel or artist, and says nothing about what any company did with the material. This report is informational and is not legal advice. It shows that identifiers matching your work are present in the named public research datasets; it does not establish how any particular company used them. If you are the subject of this page and want it removed, see removals.