video in AudioSet
A list of about a million ten-second YouTube clips, each labelled with the sounds in it, that Google published in 2017. Labs use it to train and test general audio and music models.
Including Možná ¨ Jindrich Parma music
Report Jindřich Parma built from the datasets alone
This page only knows about the videos the datasets list. To check every upload on the channel:
video in AudioSet
A list of about a million ten-second YouTube clips, each labelled with the sounds in it, that Google published in 2017. Labs use it to train and test general audio and music models.
Including Možná ¨ Jindrich Parma music
songs in LAION-DISCO-12M under the artist name
A list of 12 million songs on YouTube Music, gathered by walking artist pages, that LAION published in 2024 for training general music models.
Including Milujem se čím dál víc, Klub třídních komiků, Má holka střízlivá
Probable match by artist name. If this is not you, ignore this section. Artist page on YouTube Music.
Listed as Petr Kotvald, Jindřich Parma – Milujem se čím dál víc (Konto 87 - 88 - 8990 - 91) · Watch on YouTube
youtube_video 6KICwwDOYOU · row 6KICwwDOYOU
LAION-DISCO-12M
Listed as Heidi Janků, Jindřich Parma – Klub třídních komiků (Novinka ...a něco navíc) · Watch on YouTube
youtube_video AAqDPcdxqLQ · row AAqDPcdxqLQ
LAION-DISCO-12M
Listed as Heidi Janků, Jindřich Parma – Klub třídních komiků (Novinka) · Watch on YouTube
youtube_video TP-qD8Fv6Dc · row TP-qD8Fv6Dc
LAION-DISCO-12M
Listed as Petr Kotvald, Jindřich Parma – Má holka střízlivá (Hyde Park) · Watch on YouTube
youtube_video Zad0TylpjYY · row Zad0TylpjYY
LAION-DISCO-12M
Listed as Heidi Janků, Jindřich Parma, Andrej Šeban – Písničková vzducholoď (Cesta kolem těla) · Watch on YouTube
youtube_video _IifcEAxjnI · row _IifcEAxjnI
LAION-DISCO-12M
Listed as Petr Kotvald, Jindřich Parma – Je v tahu (Nejvýznamnější textaři české populární hudby Pavel Cmíral 2 (1981-1999)) · Watch on YouTube
youtube_video _q-WqyMZGaI · row _q-WqyMZGaI
LAION-DISCO-12M
Listed as Jiří Korn, Jindřich Parma – Náš klub (The Slightest Touch) (Zlatá kolekce) · Watch on YouTube
youtube_video bEMrRLLy9pE · row bEMrRLLy9pE
LAION-DISCO-12M
Listed as Orchestr Ladislava Štaidla, Karel Gott, Jindřich Parma, Ladislav Chvalkovský – Chyť své dny (Originální nahrávky z 80. let) · Watch on YouTube
youtube_video wjAztswmHv8 · row wjAztswmHv8
LAION-DISCO-12M
Listed as Heidi Janků, Jindřich Parma – Skandál (Nejvýznamnější textaři české populární hudby Jan Krůta 2 (1987-2000)) · Watch on YouTube
youtube_video zgXCkxucXPY · row zgXCkxucXPY
LAION-DISCO-12M
Clip 30s to 40s · Open clip on YouTube · Labels: Music, Rhythm and blues
youtube_video 4V8AedpoGjQ · row unbalanced_train:4V8AedpoGjQ:30:40
AudioSetunbalanced_train
Last reviewed 2026-09-24.
Presence in a public research dataset shows that a clip of your recording was listed by academic or industry researchers as material for building or testing audio models. It does not by itself show which commercial products, if any, used the clip. The legal picture is moving. On 31 July 2026 the Regional Court of Munich I ruled in GEMA's case against Suno (case 42 O 763/25) that reproducing works for training, holding them in a model in retrievable form, and generating similar outputs can each infringe copyright under German and EU law; the judgment is not final and can be appealed. In the United States, Warner Music Group settled its claims against Suno on 25 November 2025 with a licensing deal, while the parallel claims by Universal and Sony were still pending at that point. Since then BMG (12 August 2026) and Believe/TuneCore (8 September 2026) have signed opt-in licensing deals with Suno.
3 routes. None is a guarantee.
JSON export SHA-256 15f7f9b2d6b6fbca4799976f6bd70d6d50d1bdd8c841c50184bb716d4b10db06
| Dataset | File | Rows | Loaded | SHA-256 |
|---|---|---|---|---|
| audioset | balanced_train_segments.csv | 8,836 | 2026-09-24T10:30:36+00:00 | 3b83e5ff9ed72cfd… |
| audioset | eval_segments.csv | 7,848 | 2026-09-24T10:30:36+00:00 | f7055f53935f70e7… |
| audioset | unbalanced_train_segments.csv | 1,063,333 | 2026-09-24T10:30:43+00:00 | bb2dfd5e4f1ced39… |
| laion_disco_12m | train-00000-of-00005.parquet | 2,464,184 | 2026-09-24T12:18:19+00:00 | f8b1f0034f8f1e94… |
| laion_disco_12m | train-00001-of-00005.parquet | 2,464,183 | 2026-09-24T12:32:29+00:00 | 71d78ad14ee3f85d… |
| laion_disco_12m | train-00002-of-00005.parquet | 2,464,183 | 2026-09-24T12:49:06+00:00 | 0feba570a0e8e73c… |
| laion_disco_12m | train-00003-of-00005.parquet | 2,464,183 | 2026-09-24T13:06:37+00:00 | 21a77d99fd85ad2f… |
| laion_disco_12m | train-00004-of-00005.parquet | 2,464,183 | 2026-09-24T13:24:36+00:00 | 6ac5f59958b6b813… |
| musiccaps | musiccaps-public.csv | 5,521 | 2026-09-24T10:29:42+00:00 | 8cc109ac507b5e5a… |
These pages report where identifiers from public research datasets point. Presence in a dataset is a fact about the dataset, not a claim about the channel or artist, and says nothing about what any company did with the material. This report is informational and is not legal advice. It shows that identifiers matching your work are present in the named public research datasets; it does not establish how any particular company used them. If you are the subject of this page and want it removed, see removals.