video in AudioSet
A list of about a million ten-second YouTube clips, each labelled with the sounds in it, that Google published in 2017. Labs use it to train and test general audio and music models.
Including cherengue...sax machacalo Giovanni Rios
Report jose luis built from the datasets alone
This page only knows about the videos the datasets list. To check every upload on the channel:
video in AudioSet
A list of about a million ten-second YouTube clips, each labelled with the sounds in it, that Google published in 2017. Labs use it to train and test general audio and music models.
Including cherengue...sax machacalo Giovanni Rios
songs in LAION-DISCO-12M under the artist name
A list of 12 million songs on YouTube Music, gathered by walking artist pages, that LAION published in 2024 for training general music models.
Including El Futuro, En Busca de Ella, Quiero Saber Tu Destino
Probable match by artist name. If this is not you, ignore this section. Artist page on YouTube Music.
Listed as José Luis – El Futuro (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video 0QxloH4RPPY · row 0QxloH4RPPY
LAION-DISCO-12M
Listed as José Luis – En Busca de Ella (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video Q_IUTVjT4ps · row Q_IUTVjT4ps
LAION-DISCO-12M
Listed as José Luis – Quiero Saber Tu Destino (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video QqsVvIjJ-Wo · row QqsVvIjJ-Wo
LAION-DISCO-12M
Listed as José Luis – Baila Mi Musica (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video S3Z-34jtCPU · row S3Z-34jtCPU
LAION-DISCO-12M
Listed as José Luis – Porque Me Abandonaste (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video _w-XttrjVL0 · row _w-XttrjVL0
LAION-DISCO-12M
Listed as José Luis – Esa Mujer (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video kMlbrxaliyU · row kMlbrxaliyU
LAION-DISCO-12M
Listed as José Luis – De Ti No Me Alejare (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video odaGfDkI9BA · row odaGfDkI9BA
LAION-DISCO-12M
Listed as José Luis – La Mujer Me Boto (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video wtHKv0m7tNc · row wtHKv0m7tNc
LAION-DISCO-12M
Listed as José Luis – Amame Como Soy (Anthony Santos Presenta a Su Hijo, Porque Me Abandonaste) · Watch on YouTube
youtube_video xVhg-HTpsuE · row xVhg-HTpsuE
LAION-DISCO-12M
Clip 120s to 130s · Open clip on YouTube · Labels: Music, Musical instrument, Saxophone
youtube_video Nnr5FRuz59I · row unbalanced_train:Nnr5FRuz59I:120:130
AudioSetunbalanced_train
Last reviewed 2026-09-24.
Presence in a public research dataset shows that a clip of your recording was listed by academic or industry researchers as material for building or testing audio models. It does not by itself show which commercial products, if any, used the clip. The legal picture is moving. On 31 July 2026 the Regional Court of Munich I ruled in GEMA's case against Suno (case 42 O 763/25) that reproducing works for training, holding them in a model in retrievable form, and generating similar outputs can each infringe copyright under German and EU law; the judgment is not final and can be appealed. In the United States, Warner Music Group settled its claims against Suno on 25 November 2025 with a licensing deal, while the parallel claims by Universal and Sony were still pending at that point. Since then BMG (12 August 2026) and Believe/TuneCore (8 September 2026) have signed opt-in licensing deals with Suno.
3 routes. None is a guarantee.
JSON export SHA-256 c38d3e114273891e8b66d9a8335f0dbb9171f505da679bc099a352e0d7f550b8
| Dataset | File | Rows | Loaded | SHA-256 |
|---|---|---|---|---|
| audioset | balanced_train_segments.csv | 8,836 | 2026-09-24T10:30:36+00:00 | 3b83e5ff9ed72cfd… |
| audioset | eval_segments.csv | 7,848 | 2026-09-24T10:30:36+00:00 | f7055f53935f70e7… |
| audioset | unbalanced_train_segments.csv | 1,063,333 | 2026-09-24T10:30:43+00:00 | bb2dfd5e4f1ced39… |
| laion_disco_12m | train-00000-of-00005.parquet | 2,464,184 | 2026-09-24T12:18:19+00:00 | f8b1f0034f8f1e94… |
| laion_disco_12m | train-00001-of-00005.parquet | 2,464,183 | 2026-09-24T12:32:29+00:00 | 71d78ad14ee3f85d… |
| laion_disco_12m | train-00002-of-00005.parquet | 2,464,183 | 2026-09-24T12:49:06+00:00 | 0feba570a0e8e73c… |
| laion_disco_12m | train-00003-of-00005.parquet | 2,464,183 | 2026-09-24T13:06:37+00:00 | 21a77d99fd85ad2f… |
| laion_disco_12m | train-00004-of-00005.parquet | 2,464,183 | 2026-09-24T13:24:36+00:00 | 6ac5f59958b6b813… |
| musiccaps | musiccaps-public.csv | 5,521 | 2026-09-24T10:29:42+00:00 | 8cc109ac507b5e5a… |
These pages report where identifiers from public research datasets point. Presence in a dataset is a fact about the dataset, not a claim about the channel or artist, and says nothing about what any company did with the material. This report is informational and is not legal advice. It shows that identifiers matching your work are present in the named public research datasets; it does not establish how any particular company used them. If you are the subject of this page and want it removed, see removals.