Report Patricia Johnson built from the datasets alone
This page only knows about the videos the datasets list. To check every upload on the channel:
videos in AudioSet
A list of about a million ten-second YouTube clips, each labelled with the sounds in it, that Google published in 2017. Labs use it to train and test general audio and music models.
Including The Human League - Mirror Man - 28th November 2014 - Leicester De Montfort Hall, The Human League - The Sound Of The Crowd - 28th November 2014 - Leicester De Montfort Hall
songs in LAION-DISCO-12M under the artist name
A list of 12 million songs on YouTube Music, gathered by walking artist pages, that LAION published in 2024 for training general music models.
Including Mozart: Le nozze di Figaro, K.492 / Act 2 - "Voi signor, che giusto siete", Mozart: Le nozze di Figaro, K. 492 / Act 3 - "Riconosci in questo amplesso", Mozart: Le nozze di Figaro, K.492 / Act 1 - "Tutto anchor no ho perso"
Probable match by artist name. If this is not you, ignore this section. Artist page on YouTube Music.
Listed as Edith Mathis, Gundula Janowitz, Patricia Johnson, Erwin Wohlfahrt – Mozart: Le nozze di Figaro, K.492 / Act 2 - "Voi signor, che giusto siete" (Mozart: Le nozze di Figaro) · Watch on YouTube
youtube_video GffGeRDDxB4 · row GffGeRDDxB4
LAION-DISCO-12M
Listed as Edith Mathis, Patricia Johnson, Martin Vantin, Hermann Prey – Mozart: Le nozze di Figaro, K. 492 / Act 3 - "Riconosci in questo amplesso" (Mozart: Le nozze di Figaro) · Watch on YouTube
youtube_video d39WTBlEKGY · row d39WTBlEKGY
LAION-DISCO-12M
Listed as Edith Mathis, Patricia Johnson, Orchester der Deutschen Oper Berlin, Karl Böhm – Mozart: Le nozze di Figaro, K.492 / Act 1 - "Tutto anchor no ho perso" (Mozart: Le nozze di Figaro) · Watch on YouTube
youtube_video qTUsErZ4aQc · row qTUsErZ4aQc
LAION-DISCO-12M
Listed as Edith Mathis, Patricia Johnson, Orchester der Deutschen Oper Berlin, Karl Böhm – Mozart: Le nozze di Figaro, K.492 / Act 1 - "Via resti servita, madama brillante" (Mozart: Le nozze di Figaro) · Watch on YouTube
youtube_video tY4nOzoU0uQ · row tY4nOzoU0uQ
LAION-DISCO-12M
Listed as Patricia Johnson, Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm – Mozart: Le nozze di Figaro, K.492 / Act 1 - "Ed aspettaste il giorno fissato a le sue nozze" (Mozart: Le nozze di Figaro) · Watch on YouTube
youtube_video xhNAyI_hp6c · row xhNAyI_hp6c
LAION-DISCO-12M
Clip 270s to 280s · Open clip on YouTube · Labels: Singing, Music of Latin America
youtube_video guk1efCOM6Y · row unbalanced_train:guk1efCOM6Y:270:280
AudioSetunbalanced_train
Clip 30s to 40s · Open clip on YouTube · Labels: Music, Music of Latin America
youtube_video znIKREoRFy0 · row unbalanced_train:znIKREoRFy0:30:40
AudioSetunbalanced_train
Last reviewed 2026-09-24.
Presence in a public research dataset shows that a clip of your recording was listed by academic or industry researchers as material for building or testing audio models. It does not by itself show which commercial products, if any, used the clip. The legal picture is moving. On 31 July 2026 the Regional Court of Munich I ruled in GEMA's case against Suno (case 42 O 763/25) that reproducing works for training, holding them in a model in retrievable form, and generating similar outputs can each infringe copyright under German and EU law; the judgment is not final and can be appealed. In the United States, Warner Music Group settled its claims against Suno on 25 November 2025 with a licensing deal, while the parallel claims by Universal and Sony were still pending at that point. Since then BMG (12 August 2026) and Believe/TuneCore (8 September 2026) have signed opt-in licensing deals with Suno.
3 routes. None is a guarantee.
JSON export SHA-256 3a2ab8f169fdd4366e4e7a005eb58c3cbb020ffc66e9856f16f566978edf9365
| Dataset | File | Rows | Loaded | SHA-256 |
|---|---|---|---|---|
| audioset | balanced_train_segments.csv | 8,836 | 2026-09-24T10:30:36+00:00 | 3b83e5ff9ed72cfd… |
| audioset | eval_segments.csv | 7,848 | 2026-09-24T10:30:36+00:00 | f7055f53935f70e7… |
| audioset | unbalanced_train_segments.csv | 1,063,333 | 2026-09-24T10:30:43+00:00 | bb2dfd5e4f1ced39… |
| laion_disco_12m | train-00000-of-00005.parquet | 2,464,184 | 2026-09-24T12:18:19+00:00 | f8b1f0034f8f1e94… |
| laion_disco_12m | train-00001-of-00005.parquet | 2,464,183 | 2026-09-24T12:32:29+00:00 | 71d78ad14ee3f85d… |
| laion_disco_12m | train-00002-of-00005.parquet | 2,464,183 | 2026-09-24T12:49:06+00:00 | 0feba570a0e8e73c… |
| laion_disco_12m | train-00003-of-00005.parquet | 2,464,183 | 2026-09-24T13:06:37+00:00 | 21a77d99fd85ad2f… |
| laion_disco_12m | train-00004-of-00005.parquet | 2,464,183 | 2026-09-24T13:24:36+00:00 | 6ac5f59958b6b813… |
| musiccaps | musiccaps-public.csv | 5,521 | 2026-09-24T10:29:42+00:00 | 8cc109ac507b5e5a… |
These pages report where identifiers from public research datasets point. Presence in a dataset is a fact about the dataset, not a claim about the channel or artist, and says nothing about what any company did with the material. This report is informational and is not legal advice. It shows that identifiers matching your work are present in the named public research datasets; it does not establish how any particular company used them. If you are the subject of this page and want it removed, see removals.